As almost (or, truly, virtually) every aspect of making and viewing movies is replaced by digital technologies, even the notion of “watching a film” is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media competing for an audience, what will happen to cinema–and to cinema studies? In the first of two books exploring this question, D. N. Rodowick considers the fate of film and its role in t… More >>
