Colonial Desire: Hybridity in Theory, Culture and Race


Colonial Desire is a controversial and bracing study of the history of Englishness and “culture.” Robert Young argues that the theories advanced today about post-colonialism and ethnicity are disturbingly close to the colonial discourse of the nineteenth century. “Englishness,” Young argues, has been less fixed and stable than uncertain, fissured with difference and a desire for otherness…. More >>

Colonial Desire: Hybridity in Theory, Culture and Race

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1 comment

  1. Anonymous says:

    Comment on “COLONIAL DESIRE” by Robert J. C. Young by Jan HaagHow dare you make sex so boring?
    When all you want to point out is
    Europe’s attraction to the beautiful, often
    willing, native women (and men),that must be hypocritized so
    that the whites (mainly) could go on
    “teaching,” raping and pillaging, gleaning the wealth
    of others lands, killing fathers and mothers of their chosen mates,
    disowning their hybrid children,
    like our own Tom Jefferson having his black kids
    serve his white kids. All that high tonedtalk to camouflage the love they
    had of the sensuality,
    sexuality that they had bred out of their
    moralizing bones, out of their (they hoped) women’s moralized bones.
    Of course they wanted to make love
    to the exquisite apsarases of India,
    China, Burma, Indonesia,also bred to compliance, but
    compliance of a different sort.
    Women ! of the East were taught to worship their men
    as Gods. And if Europeans weren’t Gods, who were? If the natives
    weren’t racially inferior
    how justify stealing their land
    and mandating opium addiction, killingmillions? Say it, R. Young. Don’t
    mask yourself behind bastardized,
    linguistically-hybridizing utterances,
    anticipating a defenselest a colleague might accuse you
    of interest in the sexual
    charms of nautch girls, whispers from your body’s desire,
    wishes for time’s disappearance.(written in Skandhodgrivi, a Sanskrit form) Copyright © Jan Haag, 1998
    Rating: 3 / 5